To be everything is nothing. To go against what you cherish the most is the symbolic gesture of weakness. The brilliant story telling of the young and passionate Bernardo Bertolucci remains as vivid and powerful as the first time I saw it - 15 years ago, when I was 21 - The film is 41 years old now and I can only imagine the effect it had in its day. For me, it became a point of reference and to see it again is a shattering scramble of emotions. Jean Louis Trintignat is extraordinary and Stefania Sandrelli is superb as the mediocre, petite bourgeois wife. The art direction by Ferdinando Scarfiotti and the photography by Vittorio Storaro are, quite simply, without equal. I was very moved by the appearance of Pierre Clemeti as the ambiguous Lino. A film to visit and re-visit.
'Sentiment: Positive 🙂'
This is an amazing, beautifully made cinema. The movie begins when the protagonist is in a hurry and he is traveling somewhere. As he is in the car, his memories comes. This gives the story of the film. This non-linear pattern of story telling makes the movie more interesting.Rather than political tension prevailing, I was more attracted and haunted by the personal attachments and drama. That was an amazing plot.This movie, according to me gives a lot of lessons on cinema, cinematography and direction. The framing, camera movements, shapes, colors, actors placement, blocking, mise en scène etc are all superb. I enjoyed the movie very well.A must watch. highly recommended. #KiduMovie